November 2001 Archives
Sometime in the next month, I plan to switch my weblog over to a different content management system, one which includes a comment system that I want to use, to allow readers to post their own remarks about my entries. I'm not expecting a lot of comments from my small (if not imaginary) reader base, but my paranoid mind can't help but imagine somebody coming in and making a deliberate effort to cause trouble, and my needing to delete rude or disruptive posts.
So, it seems the thing to do is put up some kind of Acceptable Use Policy and hope I never have to enforce it.Are cave paintings of werecritters for real, or is Rossi seeding stories into The Guardian? [via Plastic]'We looked at art that goes back to the dawn of humanity and found it had one common feature: animal-human hybrids,' said Dr Christopher Chippindale, of Cambridge University's museum of archaeology and anthropology. 'Werewolves and vampires are as old as art, in other words. These composite beings, from a world between humans and animals, are a common theme from the beginning of painting.'
(Emphasis mine.) Unfortunately, at this point, I think the company's committed to buying McAfee to save us from unpleasantness like the current NIMDA incursion; damned if you do, damned if you don't.But we have to ask something further. What will Symantec and the other antivirus companies do about this? Will they, too, alter their software to leave all of us vulnerable not just to the FBI but any hacker who finds a way to mimic the signature of the FBI's surveillance tools?
Some clever empiricist appears to have been abusing Google to attack Web servers, switches and routers in a novel way, by crafting search terms to include known exploits. Such a search will occasionally yield active Web pages used by administrators. On top of that, a number of them have already been cached. It's reasonable to surmise that a hacker has been using Google not merely to search for vulnerabilities, but as a proxy to hide behind while executing attacks.
Let's see how fast those labelled, rip-proof CDs fail to sell to informed buyers; an open, honest approach should prove whether or not consumers are willing to put up with use restrictions.Of course, whether BMG will release other CDs that have been protected by Cactus - or, for that matter, other copy-protection mechanisms, such as Macrovision's SafeAudio - remains to be seen. Given Virgin's stance, we reckon the company is most likely to try again but this time advise consumers through a sticker on the CD packaging.
It's less than a week until Thanksgiving. I've mentioned before that I've been told that if I'm going to stay in St. Louis again, I will be expected to cook. Not that that's a problem; I've got a couple of favorites I'll be happy for an excuse to make, plus a new recipe to try. It's called Much More Than Mushrooms. My mother doesn't remember where she found this one, but she swears I'll love it. I've been meaning to post this in case anyone else wants to give this a shot (plus have a copy that I can get to from work to make a shopping list). I'll also be making the French Onion Casserole and Bread Pudding that got raves last year.
- 1 pound mushrooms, sliced
- 4 tablespoons butter or margarine
- 1/2 cup chopped green onions
- 1/2 cups chopped celery
- 1/2 cups chopped green pepper
- 3/4 teaspoon salt
- 1/4 teaspoon pepper
- 2 teaspoons chopped parsley
- 1/2 cup mayonnaise
- 6 slices firm white bread
- 3 eggs
- 2 cups milk
- 1/4 cup grated Parmesan or Romano cheese
Sauté Mushrooms in butter for 5 minutes. Add green onions, celery, green pepper, salt, pepper and parsley; cook about 3 minutes. Remove from heat and stir in mayonnaise and set aside.
Remove crust from bread and cut into 1-inch squares. Put half the bread in a greased 2-1/2 qt. casserole. Spoon mushrooms mixture over the bread, and then cover with remaining bread. Beat eggs and milk together until frothy; pour over mixture in casserole. Refrigerate, covered, for at least 1 hour or as long as overnight. Bake, uncovered, in a 325 degree oven for 50 minutes. Remove from oven and sprinkle cheese over top; return to oven and bake 10 minutes or until golden brown. Makes 6 servings.
Unfortunately, here at work, some of our lusers have gone on and upgraded to XP. (There is justification in some cases, but it's still a support nightmare.) The worst part is when some program lets you go through all the motions of installing or configuring something, only to have your work disappear without any explanation why. One luser was trying to set up a system ODBC data source according to e-mailed instructions, and called me over because he thought I hadn't given him database access. He went through all the right steps, yet the data source never appeared in his list, and no error message ever popped up. We eventually realized that it was because he didn't have admin privs, and I managed to push him off on Desktop Support.Many aspects of this will cause gales of mirth in the Linux camp, where the security systems are a model of Stalinistic structured control-freakery (well, that's what we think, anyway). Doing your day to day work from an admin account isn't good practice, but XP can easily be installed with just that assumption. And having programs that won't let you run them unless you're admin will quite likely mean Joe Public will wind up letting everybody run as admin. If he can figure out how, that is.
Chuck writes about the game Halo, and how Larry Niven deserves some credit for inspiring the setting for the new vdeo game Halo. I was kind of skeptical about whether Niven truly pioneered the concept, although his novel Ringworld certainly popularized it. Out of curiosity, I dug a little and found the Dyson Sphere FAQ; while it acknowledges that Freeman Dyson got his inspiration from other works, it does credit Niven for introducing the idea of a ringworld.
I have to admit, I was irritated a few years ago when two different meteor-impact disaster movies hit the big screen, and no one mentioned Lucifer's Hammer. Given the quality of the films in question, though, I'm sure Niven and Pournelle were just as happy to avoid any blame.
I think I've managed to figure out my little CSS layout problem of a few days ago. I tried to drop a sample inline, but my code seems to work everywhere except within my existing page structure. Heck, it even worked OK on my Blogger preview page. Well, take my word for it until I can get a sample up on my development site.
What still bothers me is that I'm still ending up with five layers of nested <div> tags: two levels to create my desired page structure, and three more for the layout of individual entries. Can someone remind me of the supposed advantages of doing layout via style sheets rather than tables? I'm probably going to stick with the CSS layout though, because it'll surely be lighter than the mess of tables and border / spacer GIFs I'm using now.
There's another site listing UK releases which may not be rippable, and I'll be keeping an eye out for other such sites. I'm more than willing to pay for my music (though I would prefer more options like buying individual tracks and try-before-you-buy), but I have no patience for artificial controls on how I can use it once I've paid for it.This list, which also includes responses from other people, carries few certainties, however. Most of the sightings are speculative, with other people weighing in to dispute original reports. Listed CDs range from Britney Spears' "Britney" to Aerosmith's "Just Push Play."
As experts have noted, the widely varying reports are exacerbated partly because CD ripping remains an unscientific process, varying widely from machine to machine. Computers configured differently have varying rates of success or introduce their own errors, and individuals' lack of technical experience can translate into poorly recorded MP3 files.
| [Title] | [Timestamp] |
(Borders turned on to show layout only.) I'm sure there has to be some way to reproduce this layout using Cascading Style Sheets and a few nested <div>s or <span>s; once I have that, I'm sure I can color, box, or otherwise style this layout to my satisfaction. The part I don't understand is how to put left-aligned and right-aligned elements on the same line. If anybody can explain to me how to do it, or can point me towards a resource that can help me out, please drop me a line. | |
| [Author] | [Link] [Comments] |
Wow, I just got ripped.
Along with pretty much every Buffy: The Vampire Slayer fan in the greater St. Louis area, from what I can tell. I've been waiting for the special all-singing, all-dancing episode of Buffy since Tuesday, the night it was broadcast on real UPN affiliates. You know, the one I said was going to run about ten minutes overtime, but only on the first showing. The one that was going to be rebroadcast in an edited, one-hour version in the future. Finally, after I spend all week avoiding spoilers, the Saturday afternoon block of UPN programming (Enterprise, Roswell, and Buffy) on our local WB station airs. Guess which version we got to see? Yup, the one-hour version. Dammit. Anybody know where I can get a bootleg?
Well, at least I got to see The Kiss.
Plus, I decided today to check out a new computer game I've been hearing about, but never played: No One Lives Forever. When I got home, I found out that my copy of the Game of the Year Edition has a special feature that's not listed on the box or on the website: A free copy of the Nimda worm hidden in one of the install files! My antivirus software caught it before it could do me any damage, but I'm left with a coaster instead of an install disk.
The heck with it. I gotta get out of here before I break something.
Please Steal This Essay; I stole it from Kulesh. This looks to be the beginning of a good series on the problems of charging for information age content in an industrial age economy.Put simply, in a world where there are essentially no costs to replicate content and it is effectively impossible to stop anyone from doing so at will, the current economic model underpinning content creation will be dead. Despite the protestations of lawyers, (certain) rock bands, and legislatures (all on the same losing side, oddly enough), we are entering that brave new world.
If, as this hard technology determinist viewpoint suggests, content is destined to be free - i.e., the content creators and publishers will not be directly compensated the way they are today when you make a purchase from your local CD store - then the real question is what system could replace the content compensation system that has worked quite well for the last 300 years. However, implementing revenue models for infinitely redistributable goods is not an entirely novel question, and there are several economic models that can support the creation of content. What there may not be is enough revenue to support the publishers of that content in addition to the authors, which helps explain why the RIAA is so eager to thwart digital distribution. When an ecosystem undergoes severe environmental changes, certain organisms that were previously essential - like the cyanobacteria that originally converted carbon dioxide to oxygen, or the record companies' A&R men - may recede to minor ecological niches.
The chief of technology for the Opera alternative web browser looks at the recent MSN debacle, in which Microsoft denied non-Internet Explorer users access to the site.Given this result, one might conclude that Microsoft is actively sabotaging the work of web standards and W3C—or at the very least, demonstrating an almost unbelievable lack of competence. Microsoft points to W3C specifications when explaining why they lock competitors’ browsers out of MSN, yet none of the documents published on MSN follow these W3C specifications. In any case, it will be harder for Microsoft to blame browser lockouts on standards in the future.
This appears to confirm that the only people really in favor of this boondoggle are a handful of opportunistic technologists (Ellison, McNealy, etc.) who want to promote their pet products. [via David Chess]As technology companies promote the idea of a national identification card, the president's special adviser on cyber-security said Wednesday the idea has little support within the Bush administration.
Richard Clarke said he couldn't name one official who supports the idea as proposed, although conceding that the administration doesn't yet have a formal position on the concept.
[via TV Barn]This is what geeks love about team comics. It’s a particular subgenre, born out of conversations that start with questions like, “If Batman and Captain America fought, who would win?” This is what we geeks were talking about when you normal people were playing sports and kissing. We want to know why these heroes are the way they are—we want to know how they act when they’re off duty. “We’re total geeks about this stuff, but if we do our job right then a mainstream audience will get this as well,” says Timm. “We try to make the show for the 12-year-old in all of us.”
"Gravity... is a harsh mistress."
Yeah, I watched the premiere of Fox's new live-action adaptation of The Tick last now. And as much about the show as I found irritating, especially compared to the old cartoon series, I think I maintained a broad, silly grin throughout most of the show. I dunno; I'll have to see how the show goes, and how long it lasts. But I think there are a lot of things I'm going to miss; Captain Liberty was much funnier as American Made, I doubt they'll ever have villains as over-the-top as Chairface Chippendale, and worst of all, I miss the old theme song."Dut Dweeee... Dut dut dut Dwee dow..."
Every time the manufacturer changes the make of hard drive he's putting in his systems, he needs to create a fresh recovery disk for the PC, because of driver issues with WinXP. This was something that was never a problem with Windows 98 or ME.
And changing the make of the hard drive also means the system builder has to create a new universal cloning module - the master version of the software to be pre-installed on all the PCs.
Yeah, but if somebody's having fun with that extraneous part — if that's where their enthusiasm lies — what's the problem? [via Doc]Here's the thing for me. I've kept books of things I like since I was a kid, before knowing they were called commonplace books. Sharing such things was a natural outgrowth of enthusiasm. Bothering with whether anybody gave a damn seemed extraneous.
Wow. That was only one hour?
At the very least, the series premiere was one of the most relentlessly paced hours of television I've watched in recent memory. There was so much going on that I'm reluctant to critique it until I've watched it again, but I did enjoy myself. I suspect the show's biggest problem will be a high barrier to entry for new viewers. I've seen plenty of shows where it was easy to get lost if you missed an episode or two; when watching 24, I'd be reluctant to take a bathroom break for fear of missing something critical.Those of you who aren't living in a UPN-free zone, remember: Tonight's episode, the musical, is scheduled to run about ten minutes long this broadcast only. And don't tell me anything before I get to watch it this weekend.But it breaks the iron law of TV formula. It ruthlessly mocks its own conventions and catch phrases (and pop culture in general). It's a big ratings deal when Sherry Stringfield exits or returns to ER. On Buffy, more central characters have now left the show than there were central characters to begin with. Relationships morph, characters become good or evil, uncannily nonhuman, or gay. Faced with overwhelming pressure to handle sensitive issues with Very Special Episode sanctimony and obvious right-thinking agitprop, Whedon is stubbornly, heroically, creatively perverse. Buffy boasts the least stupid shows ever done on date rape, teen suicide, and seducer teachers. After Willow Rosenberg, the witch, got an enchanted gal-pal, scandalizing viewers shocked by realistic lesbian characters, Whedon spoke out: "I've made a mistake by trying to shove this lifestyle—which is embraced by, maybe, at most, 10 percent of Americans—down people's throats. So I'm going to take it back, and from now on, Willow will no longer be a Jew." His is the first show truly to master the teen native tongue, sarcasm.
I know a lot of fans (the kind who don't know how to distinguish between editorial judgement and censorship) had a pretty harsh reaction to the papers that dropped his strip.I anticipated getting canceled by the New York Daily News while I was doing the strips ... I figured given New York, the sensitivity there, it wouldn't go over well and I'd probably get dropped from the New York papers. But for me it was a worthwhile gamble. And there's still no guarantee that the New York Daily News will ever start running it again. ... It's New York City ... and they've gone through a lot, and you can't really expect them to take the jokes well. I've tried to be really careful to not make light at all of the death and suffering, which, like everybody else, I feel really bad about. But I have a different perspective on things than what the media's putting out, and I thought it was important to voice that, and if it meant losing the New York papers, I think it was worth it.
Wired also looks at Aibo's competition in the smart-toy category: A series of robotic insects based on a different philosophy of artificial intelligence. The bugs are a lot cheaper, but they don't look as cuddly as cute and cuddly as the cybermutts."Aibo is an exciting toy, but Aibopet's enhancements kept the excitement going," said Richard Walkus, an Aibo owner. "He's made tools to see what mood Aibo was in, or set it in different life stages, or have better wireless communications. There are tools to see in real time what Aibo sees, and vital signs, emotions, mood, voice recognition. Those were enhancements riding on top of Sony's Aibo that Aibopet created."
But the key thing to remember about Aibopet's stuff, Walkus said, is that all of his programs were enhancements to existing Sony software; and to use it, Aibo owners had to purchase the original software from Aibo.
For example, Sony has a programming language for the Aibo called Rcode that sells for $34 (the programs are sold on Sony Memory Sticks). Aibopet has developed an enhanced version of Rcode that is available for free, but the only way it can be used is if an owner first buys a $34 stick from Sony.
Confession: I have yet to read any of the "A Series of Unfortunate Events" books, though I hope to change that. I've finally picked up The Bad Beginning, and it's on my read queue; I really need to get to it so that I can pass it on to the mouldering corpse of Britney Spears. [via Neil Gaiman]It is natural now to wonder how some people can do terrible things, how we can stay strong when something terrible could happen to us at any moment, whether it is right to inflict horror on other people because it has been inflicted on us. The answers are unlikely to be found in stories that ignore rather than acknowledge these questions. I have found myself reading the work of Raymond Chandler. There's comfort, I find, in the methods employed in the world of Chandler's detective, Philip Marlowe — careful observation, an incisive way with words, quiet restraint in the face of deceitful and irredeemable acts.
Stories like these aren't cheerful, but they offer a truth — that real trouble cannot be erased, only endured — that is more soothing to me than any determinedly cheerful grin. Certainly there are times when we want to escape to a trouble-free, imaginary world. But when the real world is so searing that it cannot be glossed over, we can find value in stories that admit the world is tumultuous, instead of reassuring us that it is not.
